In the novel “Empire of Wild” by Cherie Dimaline, a saga unfolds as three women from different generations unite to rescue a family member from the clutches of a werewolf-like entity known as Rogarou. Their mission is to locate a missing husband and safeguard their territory from corporate encroachment.
The narrative is characterized by its raw, captivating, and intense nature, leading it to be recognized as the top book of 2019 by Indigo, surpassing renowned works like Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.” An investment of approximately $4 million has been earmarked to support an Indigenous-led creative team in transforming the book into an opera, with plans for the world premiere in Toronto next spring.
This bold endeavor aims to attract a younger demographic and those new to opera, potentially challenging traditionalists who prefer the classical repertoire. The setting of “Empire of Wild” is the Penetanguishene Métis community in Georgian Bay, Ontario, where author Cherie Dimaline hails from. Composer Ian Cusson, also rooted in this community, drew inspiration from his upbringing and familial tales featuring the Rogarou.
The duo sought to craft relatable modern characters for contemporary audiences, including queer individuals and a working-class family grappling with extraordinary circumstances. Unconventional dialogue, including profanity and humor, adds a realistic touch to the storytelling. Cusson envisions the opera as a visually striking and engaging production that resonates with the desires of today’s youth.
At its core, “Empire of Wild” explores themes of power, defiance, and endurance. The protagonist, Joan, embarks on a journey to reclaim her husband, uncovering sinister forces manipulating him. The narrative emphasizes the importance of ancestral wisdom and matriarchal support in the face of adversity.
The opera features a diverse cast embodying the characters’ essence, with talents like Marion Newman and Evan Korbut bringing the story to life. Through their performances, they convey a universal truth of resilience and survival present in Indigenous cultures.
This groundbreaking production, led by Indigenous visionaries, marks a significant moment in the arts scene. It showcases the blossoming of Indigenous talent across various sectors, symbolizing a shift towards inclusivity and collaboration. The project’s inclusive approach to creativity emphasizes the importance of every individual’s contribution, fostering a harmonious circle of artistic expression—an ethos that Cusson hopes will inspire future endeavors in the opera world.